The Tyger is the most impressive and the most striking of the poems included in Songs of Experience: It was written in contrast to The Lamb of the Songs of Innocence. The theme of the poem is a simple one but its apparent simplicity simply intensifies its visionary quality.
Critical Appreciation of "The Tyger" by William Blake |
Critical Appreciation of a poem is very important for its understanding. The poems of William Blake are very complex. So you need to know its Critical Appreciation. Let's see Critical Appreciation of "The Tyger" by William Blake without any delay.
Critical Appreciation of "The Tyger" by William Blake
The Tyger is a classic poem in its use of imagery and symbolism. The images here have their special strength and freedom. The poem opens with a vivid, dramatic visual effect as the tiger almost leaps out
at us from the page -
Tyger Tyger, burning bright,In the forests of the night.
Our attention is always drawn to the sound as well as sight imagery in the poem. This is the sound imagery which provides one of the contrasts between Songs of Innocence and Songs of Experience. The physical, tangible and tactile quality is suggested in the final line of the first stanza: "Could frame thy fearful symmetry?”
The shape, form and physical movement of the beast have been caught in the phrase, "fearful symmetry" and the idea of physical immediacy is conveyed in the line "What the hand, dare seize the fire?".
But the image in the poem gains added significance and magnitude when it moves into the arena of symbolism. Blake's spelling of Tyger is worth noting for it seems to emphasize the symbolic quality of the animal.
The tiger symbolizes the fierce forces in the soul, which are needed to break the bonds of experience. For some the tiger with its "fearful symmetry" stands for the pervasive evil in the world; for others, the tiger symbolizes an awful beauty in creation; and for still others the tiger is a symbol of praise for the
creation of the universe.
The poem may be interpreted as an allegory reflecting the opposing powers of God and Satan, of good and evil. Both Lamb and Tyger are visibly the parts of God's creation. God created the tiger, the aggressor, and the lamb, the prey.
The co-existence of fierceness represented by the tiger and the gentleness represented by the lamb is a mystery, a mystery of contrariness. The fierce strength terrifying in its possibilities of destructiveness is seemingly an open challenge to the idea of a benign Creator. The last but one stanza is intrinsic to the allegorical effect:
When the stars threw down their spearsAnd water's heaven with their tears,Did he smile his work to see?Did he who made the lamb make thee?
The "stars” are the rebel angels and the tiger is related with Satan. God created Satan who challenged him for supremacy. Satans lures and temptations were "shining bright and the angels joined Satan in an act of rebellion. Blake was familiar with account of rebellion in the Bible.
Whatever the interpretation of the poem, it is one of the best and most popular poems of Blake. Blake almost disdained the use of epithet in this poem, and succeeded, not by color, but by the use of strong naked outline.
The diction is almost monosyllabic, and the trochaic movement, freely used, has a dignity here, which it usually lacks in English, even when the line ends in an accented monosyllable. Alliteration is most effectively used to emphasize metrical accent.
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